Should western beauty practices, ranging from lipstick to labiaplasty, be included within the United Nations understandings of harmful traditional/cultural practices? By examining the role of common beauty practices in damaging the health of women, creating sexual difference, and enforcing female deference, this book argues that they should. In the 1970s feminists criticized p...(展开全部)

Should western beauty practices, ranging from lipstick to labiaplasty, be included within the United Nations understandings of harmful traditional/cultural practices? By examining the role of common beauty practices in damaging the health of women, creating sexual difference, and enforcing female deference, this book argues that they should. In the 1970s feminists criticized p...(展开全部)

Should western beauty practices, ranging from lipstick to labiaplasty, be included within the United Nations understandings of harmful traditional/cultural practices? By examining the role of common beauty practices in damaging the health of women, creating sexual difference, and enforcing female deference, this book argues that they should. In the 1970s feminists criticiz...(展开全部)

Identity, Erikson writes, is an unfathomable as it is all-pervasive. It deals with a process that is located both in the core of the individual and in the core of the communal culture. As the culture changes, new kinds of identity questions arise Erikson comments, for example, on issues of social protest and changing gender roles that were particular to the 1960s. Representing ...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

Have we become beauty-blind? For two decades or more in the humanities, various political arguments have been put forward against beauty: that it distracts us from more important issues; that it is the handmaiden of privilege; and that it masks political interests. In "On Beauty and Being Just", Elaine Scarry not only defends beauty from the political arguments against it but a...(展开全部)

作者： 加布丽埃勒 - 苏珊·巴尔博·德维尔纳夫（1695—1755）出生于法国巴黎。她的作品受到同时代作家的影响，特别是《灰姑娘》的作者夏尔·佩罗和首位提出“fairy tales”（神话故事）之说的奥诺伊公爵夫人。加布丽埃勒 - 苏珊一生出版了多部小说，而她最广为人知的身份是《美女与野兽》的原作者。 绘者： 米娜利马（MinaLima）是一家一流的平面设计工作室，它的创始人是米拉波拉·米娜（Miraphora Mina）和爱德华多·利马（Eduardo Lima）。他们曾为《哈利·波特》系列电影工作了十年，为该系列电影打造了一种独特的视觉图像风格。在伦敦设立工作室以后，他们继续用视觉艺术语言来讲故事，设计的领域包括书籍装帧、包装设计以及为电影创作图形道具。他们曾参与的电影有《理发师陶德》（2007 年）、《金色罗盘》（2007 年）、《模仿游戏》...(展开全部)

Have we become beauty-blind? For two decades or more in the humanities, various political arguments have been put forward against beauty: that it distracts us from more important issues; that it is the handmaiden of privilege; and that it masks political interests. In "On Beauty and Being Just", Elaine Scarry not only defends beauty from the political arguments against it but a...(展开全部)

伊莱恩·斯凯瑞，曾是美国哈佛大学英文系美学教授，出版了多部著作，包括《苦痛的身体》（The Body in Pain，1985）、《借书做梦》（Dreaming by the Book，1999）及一系列关于战争与社会合约的论文。 卓慧臻，美国明尼苏达大学英国文学学士，英国埃塞克斯大学女性文学硕士，英国伦敦大学亚非学院比较文学博士。2002—2006年任中国社会科学院研究生院比较文学与世界文学专业副教授。2006年至今任清华大学外国语言文学系副教授，讲授“西方戏剧精讲与表演”“英语小说”等课程。出版专著《从〈传说〉到〈巫言〉：朱天文的小说世界与台湾文化》（2009）和《重写神话：西方女作家的小说奇想》（2011）。另有多篇评论和散文：《跨越电影类型的鸿沟》（《芳草萋萋》，2012）；《中西女性战争书写：从伍尔夫与张爱玲谈起》（《中国女性文化》，第十九...(展开全部)

When the repulsively ugly Coddie unintentionally saves a fairy from a spell, she does not understand the poisonous nature of the wish granted her by the fairy. The village folk no longer see her as repulsive and stinking of fish—they now perceive her as magnetically beautiful—which does not help her in her village. A young local lord saves her, but it soon becomes apparent that...(展开全部)